This week, we were
renovating a one hundred year old house in Connemara at the foot of the Maam
Turks with stunning views of the Twelve Bens. It’s been uninhabited for
15 years so there is quite a lot of rot, woodworm and debris. We planned on doing one room at a time but it
took one day to remove rubbish, rot and efflorescence that had built up in the
kitchen alone. This included a medium
sized bird skeleton that could be mistaken for a baby dinosaur. Sheep roam around the house and we plan on
fencing it off. There is a small lake decorated
with lily pads, and surrounded by rushes, only five metres from the back
door. There is a bigger lake over the
hill nearer to the mountain for swimming and boating near Honey Fitz’s house.
Dishes were washed in boiled lake water on a portable stove this week and
china dried on the rocks. Much time has been spent removing the old grape vine
and honeysuckle that had taken over the conservatory. They attract
millions of insects and I got bitten alive on the face and hands. The
kitchen was purpose built for a very tall man. While Peter will be happy with
the ergonomics, I will spend much time stepping up and down an Ikea footstool until
we have the funds to replace it. The antique furniture that was there will need
to be treated or destroyed due to woodworm. This will significantly delay my
plans to set up my piano there. It is
the perfect place to write and record.
As far as the décor goes, the main living area and bedrooms will have
the original stonework exposed and whitewashed.
In contrast to this, I decided to take an experimental approach to
painting the kitchen, painting the units all different primary colours,
including the doors, while keeping the walls white. The curtains are all torn and moth eaten and
need to be replaced (I have a bail of fabric from the 1970’s that will do the
job fine). Much time was also spent trying to fix the burnt out water pump.
After much trial and error, we finally had a smooth flow of brown lake
water coming out of the kitchen tap. I
really dislike using plastic bottled water (be honest now, are the bottles
really recycled?) and have yet to look into other drinking water options. After all that grueling labour, we chickened
out of pitching our tent, and found a B & B at the last minute. When
we returned the next morning, two French world travellers called Elise and
Ewen, had pitched their tent up in the front garden. They didn’t feel the need to lock their very
expensive recumbent bikes. They’d saved
up, sold all their furniture and given up their jobs, to cycle around the world
for four years. We got to practice our French. My Irish was also tested by one of the
locals. I need to work on it. We’re back in Limerick now, packing boxes and
resting up for another week of renovating on Monday.
Saturday, June 29, 2013
Saturday, May 4, 2013
Why Cards?
Reason 1. I'm working in Limerick Prison teaching Arts and Crafts so this is practice for the job.
Reason 2. It's a grim job. Glitter, glue and fancy paper lift my spirits. There is childlike simplicity making cards, which is in stark contrast to the dark stories and lewd comments I hear daily.
Reason 3. I am hooked on Dexter but I don't always find it compelling viewing. It takes approximately one episode to make one card and I can follow the program by listening alone. The narrative and the music usually give the plot away.
Here's my latest slew, made to season 4 of Dexter.
Reason 1. I'm working in Limerick Prison teaching Arts and Crafts so this is practice for the job.
Reason 2. It's a grim job. Glitter, glue and fancy paper lift my spirits. There is childlike simplicity making cards, which is in stark contrast to the dark stories and lewd comments I hear daily.
Reason 3. I am hooked on Dexter but I don't always find it compelling viewing. It takes approximately one episode to make one card and I can follow the program by listening alone. The narrative and the music usually give the plot away.
Here's my latest slew, made to season 4 of Dexter.
Saturday, April 20, 2013
Collage
My effort of collage inspired by this Jenny Honnert Abell, some multipurpose cards made with a stencil and Paddy's day cards
See: http://www.jennyhonnertabell.com/
See: http://www.jennyhonnertabell.com/
Tuesday, April 16, 2013
Sunday, July 8, 2012
3M Fashion Design Competition
Here are pictures from the 3M fashion competition in aid of the Laura Lynn foundation I came 3rd place in, September, 2010! The dress is made entirely from 3M products including sandpaper, post-its, medical protective covering, bumpons, duct tape etc.
I can't believe its took me this long to put the images up....
I can't believe its took me this long to put the images up....
Dress Maquette on display in the Hunt Museum, Limerick.
Creation of dress maquette as part of the 'Instruments of Perception' Exhibition and Eva at the Hunt Museum, Limerick.
This piece was inspired by the "Pink Ice' evening gown by Sybil Connolly (HML 018) and a silver-gilt chalice with enamel inserts (NGI 12042). In much the same way as the dress is a vessel for the body, the chalice is a vessel used in sacred rituals including the transubstantiation. The piece engages with the problematic relationship between fashion, the role of women in global industries which support it, and constructs of femininity. By its nature, the maquette hints at potential, the possibility of what may be rather than a definitive; this piece is intended to stimulate the viewer's imagination and provoke an opinion of both the piece and its potential. 21st Century Mantua suggests a layered approach to the observation of these areas through both the fragile and intricate design of the maquette and the multimedia accompaniment accessed through a technological interface. the audio composition uses sounds including an industrial sewing machine, scissors, zips, and applause at a fashion show, suggesting global movement and personal agitation. It was scored for double bass, viola and cello to create a sense of familiarity. "21st Century Mantua merges fashion and music into one clear message: 'What is the human sacrifice of fast fashion when quality will suffice for a lifetime, if not into another generation?" - Aoife Moriarty
This piece was inspired by the "Pink Ice' evening gown by Sybil Connolly (HML 018) and a silver-gilt chalice with enamel inserts (NGI 12042). In much the same way as the dress is a vessel for the body, the chalice is a vessel used in sacred rituals including the transubstantiation. The piece engages with the problematic relationship between fashion, the role of women in global industries which support it, and constructs of femininity. By its nature, the maquette hints at potential, the possibility of what may be rather than a definitive; this piece is intended to stimulate the viewer's imagination and provoke an opinion of both the piece and its potential. 21st Century Mantua suggests a layered approach to the observation of these areas through both the fragile and intricate design of the maquette and the multimedia accompaniment accessed through a technological interface. the audio composition uses sounds including an industrial sewing machine, scissors, zips, and applause at a fashion show, suggesting global movement and personal agitation. It was scored for double bass, viola and cello to create a sense of familiarity. "21st Century Mantua merges fashion and music into one clear message: 'What is the human sacrifice of fast fashion when quality will suffice for a lifetime, if not into another generation?" - Aoife Moriarty
Monday, March 19, 2012
Children's patterns from the 1950's












Bless my poor Gran who died three months ago. She was a genius tailor and craftswoman. Here is a small selection of the commercial patterns for children she bought in the 1950's. My first communion coat was made form one of these. I hope those of you who are good at drafting patterns find some inspiration in these!
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